Christianity

God as mystery

God As Mystery: Desperate Need for Silence

God as mystery “What if Joseph holds a grudge against us and pays us back for all the wrongs we did to him?”  So they sent word to Joseph, saying, “Your father left these instructions before he died:  ‘This is what you are to say to Joseph: I ask you to forgive your brothers the sins and the wrongs they […]

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Doubt Isn’t the Opposite of Faith

Doubt Isn’t the Opposite of Faith Fear is. Father Eric Ritter’s comment, “Doubt isn’t the opposite of faith; fear is,” remains in my mind days after I heard him preach the homily for Saint Matthew’s Tuesday 6 AM Mass. The Gospel passage for Tuesday was: As Jesus got into a boat, his disciples followed him.Suddenly

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The Weapon of Prayer

The weapon of prayer We don’t think of prayer as a weapon. At least I don’t, especially when I mitigate its power by saying, “All I can do is pray.” Yet, I know this life is a battle, so I have written about spiritual warfare countless times. Why then don’t I use my primary weapon

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Words are not always a blessing

Words are not always a blessing Brother Jerome Leo (RIP )’s understated remark, “Words are not always a blessing,” refers to Saint Benedict’s sixth chapter, The Spirit of Silence. His comment evokes a wry smile of recognition. The Benedictine monk makes us pause at the truth in the fifteen-hundred-year-old words: Let us do what the

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Why Are We commanded to Love?

Why Are We commanded to Love?

Why are we commanded to love? “Christ did not love humanity, He never said He loved humanity; He loved men. Neither He nor anyone else can love humanity; it is like loving a gigantic centipede.”)[2] Why do we need Christ and his difficult command to love? Because we are fallen. (This stance was nicely summed

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forbidden fruit and its consequences

Forbidden Fruit and Its Consequences

Sarah Leading Hagar to Abraham- Mathis Stom Forbidden fruit and its consequences This painting, Sarah Leading Abraham to Hagar by seventeenth century painter Matthias Stom hangs in the Gimaldegalerie in Berlin. Even a quick look at the figures portrayed by the artist conveys something unseemly, even odious. All too evident is the purpose of the

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